Revisions going well. Too busy to think about anything too concrete for blogging tonight. So, instead, thoughts on the album I listened to most while writing Green:
I shouldn’t have been surprised to love Heroes & Thieves so much. But generally, Vanessa Carlton’s been extremely hit-or-miss for me — her songs either change/dictate my entire life, or I really dislike them completely.
“White Houses,” from Harmonium, obviously is a song that I consider to have deeply affected my life. It is the one song that I listen to and can feel myself and my own life experience in every note, which I think is more or less the ultimate compliment to any songwriter — to have a listener find that much life in a song.
“A Thousand Miles,” which every single person in America knows, I think, considering how much radioplay it got when it came out in 2002 and continues to get now, seven years later… there were a few years that I couldn’t listen to this song, despite it being one of my longtime favorites, because it reminds me of Frank. He used to have a cassette in his big boat of a car that was just “A Thousand Miles” repeated over and over on a loop, and everyone in his car had to pick an ‘air’ instrument to play, and going anywhere with him was a jolly invisible orchestra to Vanessa Carlton. For months. I was usually piano, and Frank was always violin.
The first time I heard it after Frank died, I had a complete breakdown and for three years after that, I had a horrible visceral reaction every time I heard the opening tinkle of the piano. But then I had my car accident in November of 2007, and when I was thrifting that afternoon with Carolyn, Carly, and Katerina, “A Thousand Miles” came onto the radio — and I just felt warm.
I always play the ‘air’ violin, now.
With Heroes & Thieves, Vanessa Carlton created a complete album for the first time, or, in her words, “a real ‘body of work.’” There are only two songs on it that I really feel like could stand alone as singles, and those are the two that did (”Nolita Fairytale” and “Hands On Me”) but I think that’s the sign of an album rather than a collection of songs — something that is increasingly rare in the age of digital music pay-per-song sales. It’s a novel of an album, like Bruce Springsteen’s Nebraska, that boasts all of the best qualities of Vanessa’s earlier fan-favorite songs, in the same way of Fall Out Boy’s Folie A Deux (another recent album masterpiece). Outside of Sgt. Pepper’s Lonely Hearts Club Band, I don’t think I’ve ever heard an album that inspired me more, on the whole, than Heroes & Thieves.
It makes sense. If there is one thing in this world that I am a sucker for besides sad-eyed musicians or glittering dust, it’s imagery. Vanessa Carlton’s songwriting is more poetic by leaps and bounds on this album than in her previous work — which is saying something, because I always thought that certain lines of her earlier songs had gems — the verses in “A Thousand Miles,” the entirety of “White Houses,” or “Like a shooting star/He shines” from “Ordinary Day” — but listening to Heroes & Thieves feels the same to me as reading a novel.
Heroes & Thieves (c) Vanessa Carlton/Universal Motown, 2007
“Nolita Fairytale”
I walk the streets with a song in my head –
We ebb and we flow, so.
Got my toes on my pup at the foot of my bed
(My heart always seems to know)
Now take the glitz back, I want the soul instead,
‘Cause I found some kind of
Fairytale.“Hands On Me”
I first saw you at the video exchange
I know my heart and it will never change.
This temp work would be alright if you’d call me.
You’d call me –
I lay awake at night for you
And I pray…We’d cross the deepest oceans
Cargo across the sea
And if you don’t believe me
Just put your hands on me
And all the constellations
Shine down for us to see
And if you don’t believe me
Just put your hands on meThe subway radiates with heat
We’ve barely met and still I cross the street
To your door.We’ll climb Tibetan mountains
Where we can barely breathe
I’ll see the Dali Lama
I’ll feel him blessing me
And all the constellations
Shine down for us to see
And if you don’t believe me
Just put your hands on me
Your hands on me…First saw you at the video exchange.
“Spring Street”
I was heading down to Spring Street with a suitcase in my hand
Filled with love and life and grand illusion,
I knew you’d understand
I left you by the stairwell
And your eyes were wet with tears
Mother, you knew you had to let me go,
Even after all these years“My Best”
Our secret’s safe –
An unspoken citadel.“Come Undone”
I’m a special lover sometimes — but you only touch a ghost.
I’m a sycophantic courtier with an elegant repose.“The One”
You’re always a golden boy,
And I’m the girl that you enjoy.
My parents say, ‘isn’t he a gifted son’
Time is always passing.But you’re always a golden boy,
And this girl’s heart that you destroy.
You smile at me and then you have your fun…
Time is always passing.But you’ll always be my golden boy.
And I’m the summer girl that you enjoy.
Some melodies are best left undone.“Heroes & Thieves”
I seek a solitude
That I can’t find without you.“This Time”
It’s 4 a.m. and I’m wide awake
Waiting for my thoughts to fade –
A flickering of all of my mistakes,
And as the light starts creeping in,
I slowly feel.“Fools Like Me”
When my hand was in your hand
My heart was pure
Now I see a different man
Rewriting memories
The dogs run down the beach
And all I’m left with
Is sand in my shoes.Now I recall that time at the cafe,
The thunderstorm outside
Words you could never say,
They hold the loudest tones
You say you’ll write
But it’s ink on a page,
Just ink on a page.“Home”
Some live in towns
Cardboard shack on concrete
All bluster and bustling life
They search for the color they can never quite see
‘Cause it’s all white on white.“More Than This”
Cradling stones hold fire bright
As crickets call out to the moonlight
As you lean in to steal a kiss
I’ll never need more than thisWe all share the pain of our histories
But the ache goes away if you could see
This night under stars, well, I call it peace
If you say, I’ll never need more than thisThe trees grow so thick
You can barely see through
But the forest bestows the simplest of truths
You think you’ll be happy if granted one more wish
But the truth is you’ll never need more









Sammy Juste & Micky Dolenz
Chad & Jill Stuart
Marianne Faithfull & Mick Jagger
Paul McCartney & Jane Asher

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