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March 30, 2009

Bittersweet

I’m writing this from my parents’ hotel room.  My younger sister is barricaded in the one that we’re sharing next door.  Family vacations are always bittersweet.

The first vivid memory that I have of a family vacation is from when I was just barely six years old, and my sister was still in utero.  We had taken a May trip down to Walt Disney World in Florida for the week, and it was hotter than hell outside.  I remember being sticky and miserable and still fairly terrified of almost every ride, because I was an overly imaginitive and therefore skittish child, but I still fell in love with the magic that is Disney World.  Say what you will of the ills of Disney: The Big Bad Corporation, but honestly, their aim to make Disney World “the happiest place on Earth” comes pretty close to having been achieved.  If I could live at Epcot Center, I would.

However, at the time, I just wanted to be back in more temperate climes and stop sweating all over the place, and I was almost drowned at SeaWorld the day before by some teenager who stuck my face into a fountain and held me down for what felt like six hours.

Also, this was the early ’90s, and all three of us had big feathered bangs that were sticking all over our faces.  Very attractive.

But the moment that I remember was when we were in the German pavilion at Epcot’s World Showcase, and I was absolutely melting, and my dad offered to get us a root beer float to share.  It was big and beautiful and my mom took a picture of us both with spoons poised over the glass.

That is now known as the “before” picture.

The “after” picture shows my dad sort of politely grimacing, and my six-year-old self staring at the glass with absolute revulsion.

The root beer float had chocolate ice cream.

I know now that the dessert is called a Black Cow, and is in fact a very classic diner dessert.  It probably isn’t even so bad.  But at the time, when I was expecting anything other than the taste of sarsparilla and chocolate mixed together, it was the worst thing I had ever put in my mouth.

A few years later, my family of four was back in Florida, although not at Disney World.  Instead we were staying with my grandparents at a little 1930’s villa on Singer Island, and it was very peaceful and beautiful.  I’ve heard that now the island has been overdeveloped with condos — which I find to be a potentially disastrous prospect, because Singer Island actually has a very high hammerhead shark population; there were days that the beach was closed due to Shark Manifestation or Man O’War Crowding, both of which are terrifying — but back then, the beaches stretched on for miles into the horizon and the Tahiti Inn grounds let out right onto the sand.  I thought it was unexciting compared to Disney World, but still pretty.  I roped my sister into helping me build sand sculptures one afternoon far above the high tide line while my mom searched for unbroken shells in the surf, and I remember watching her, but taking photos instead of the seagulls.

Other than building those sand sculptures of mermaids with seaweed hair, I don’t remember anything about interacting with my family on that trip.  I remember eating a chocolate Killer Cake, and that was good.  And I remember the signs for the Hammerhead Warnings.  I remember refusing to wake up to watch the sunrise with my grandfather.

I wonder sometimes about the validity of taking family vacations, because somehow it seems that one person always gets their idea of heaven while another (or three others) just have to sort of suffer along.  Our next vacation, my little sister — who was all of about 2′2″ and 35 pounds — pulled the sword out of the stone at the Magic Kingdom and got to be in the afternoon parade as a princess, just like Michelle Tanner on Full House, but I just wanted to ride Spaceship Earth.  We have photos of her standing there with Merlin and Excalibur, smiling with her little gappy baby teeth like she might burst, and I’m nowhere to be found.

Our next vacation I spent being sullen and morose because I was missing my One-Monthiversary with my high school boyfriend, whose dirty sweatshirt I had stolen and insisted on wearing for the whole week.  One of the only photos that exists of all four of us together was taken on that trip in front of the big ballerina fountain at Epcot, and I’m wearing a grubby, too-big, French’s Mustard yellow ADIDAS sweatshirt with holes in the pocket.

And the next trip, my whole family were so stressed out and tetchy that I ended up running away and taking the monorail to a whole different part of WDW.

And I remember that well.  I remember standing in line alone at the Haunted Mansion, reading the engravings on the prop gravestones that line the walkway, and I hoped that my family wasn’t really angry with me.  I just needed twenty minutes alone to think — which clearly could happen best on the Haunted Mansion — and wanted to give them time to talk amongst themselves and get things sorted, too.

And I realize now that I felt like I had been pushed out of the family operations by then, because I had been away at college.  I think I only called home twice that first semester, and on the first day of that trip, I felt my own self-imposed isolation for the mistake that it had been.  I wasn’t needed anymore to make a family.  I just didn’t see then that not being needed didn’t mean that I wasn’t wanted.

So after I rode the Haunted Mansion, I came down from the exit passage and my dad and sister were standing there, just waiting to get in line.  My family still knew where they would find me.

All of my favorite family vacation photos come from that trip.

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March 27, 2009

MEME: Book Maven

Unashamedly stolen from e.lockhart.

1) What author do you own the most books by?
Either Meg Cabot or Marissa Moss.  It’s a toss-up between them.  As a kid, I owned by far the most books by Ann M. Martin.  I had the entire Baby-Sitters’ Club series up to #120, I believe, as well as all of the Baby-Sitter’s Little Sister books well into the #80’s.

2) What book do you own the most copies of?
Harry Potter and the Sorcerer’s Stone.  At Christmas this past year, though, I bequeathed my careworn original paperback to my Aunt Amy — every year, we have family Secret Santa (which we insist on calling a Grab-Bag?) based around obscure themes.  2008 was “consistencies,” and I got “sticky.”  I gave her some lip gloss she’ll never wear, a stack of Post-It! Notes, and my first-ever copy of Harry Potter, because it was the book that has most “stuck” with me through the years.  No word yet on whether or not she’ll be reading it, but she did tear up at the inscription.

3) Did it bother you that both those questions ended with prepositions?
Yes.  But the internet is a little different when it comes to grammar.

4) What fictional character are you secretly in love with?
Well, as I said above: NOT Edward Cullen.  Not even a little bit.  Not any other Cullens, either.  Nor any Quileute shapeshifters-masquerading-as-werewolves.  I am however in love with Jack Dawson from Titanic and Jim Halpert fromThe Office (US).  In terms of books, a corner of my heart will always belong to Fred Weasley.  And Eli from Carolyn Macker’s LOVE & Other Four-Letter Words makes my heart pound.

5) What book have you read the most times in your life (excluding picture books read to children; i.e., Goodnight Moon does not count)?
Probably Harry Potter and the Chamber of Secrets, which I’ve read 196 times.  The bulk of that occurred in seventh grade, when there were only three Harry Potter books.

6) What was your favorite book when you were ten years old?
Hmm… Bunnicula by James & Deborah Howe.  That’s a tough question, because I’ve very rarely ever had just one “favorite book” at any given time.

7) What is the worst book you’ve read in the past year?
Liz went on vacation for a week and left me to my own devices, which is never a good choice, because I ended up reading a certain book about mutant hybrid babies being born via fangsarian section, and when she came back, she had to use her mad psychology skillz to calm me down.  I’m very afraid of babies, in general.  This book did not help.

8 )  What is the best book you’ve read in the past year?
I’m With the Band: Confessions of a Groupie by Pamela Des Barres.
9) If you could force everyone you tagged to read one book, what would it be?
It would be lame to say my own, especially since it’s not out, and well, I mean, how lame and pathetic and egotistical and selfish.  So in that case, I’ll say The Great Gatsby by F. Scott Fitzgerald.  There is really no book like it in terms of lush imagery or bleak hopefulness.10) Who deserves to win the next Nobel Prize for Literature?
I don’t really know what their qualifications are, but I would say Tony Kushner, for Angels in America, if scripts count.

11) What book would you most like to see made into a movie?
Maybe it would be considered kiddie, but I’ve always, always wanted to see a movie of the Monster of the Month Club series by Dian Curtis Regan.  Although movies of books that I like tend to make me cry in despair (re: Harry Potter and the Goblet of Fire).

12) What book would you least like to see made into a movie?

They are filming it currently in Vancouver.  Outside of that, I think that any movie based on a Kerouac novel would be really dull, if very cinematic, because so much of them is internal monologue and realization.

13) Describe your weirdest dream involving a writer, book, or literary character.
I have these all the time!  They usually involve JK Rowling suddenly wanting to be my best friend and/or mentor.  Sometimes she also introduces me to Robert Pattinson as per Cedric Diggory.

14) What is the most lowbrow book you’ve read as an adult?
Hmm.  The Wheels of Darkness by Douglas Preston & Lincoln Child (hey, Knox grads!  See anything amusing about their names?  I cracked up when I bought it).  It’s an Airport Book.  I always buy big, bestselling, moderately trashy paperbacks when I’m in airports.  That’s where I bought Twilight, too.  And Deception Point.

15) What is the most difficult book you’ve ever read?
I’ve read about 3/4 of Gravity’s Rainbow and half of Ulysses, but the most difficult writer I’ve read in entirety is Marcel Proust.

16) What is the most obscure Shakespeare play you’ve seen?
Sadly, I have never learned to like Shakespeare.  I am a bit of a pleb in that way.

17) Do you prefer the French or the Russians?
At this point, I would say the French, but I do like Chekhov.  Honestly, in terms of classics, I prefer American works from the 20th Century — the expats, the Beats, the postmodernists.  The older classics have fallen prey to bad teachers, cliched pop culture allusion, and those girls who claim to be in luuuuuuurve with Mr. Darcy but actually just like Colin Firth, but who still look down on you if you are not also in luuurve with Mr. Darcy.  I severely dislike those girls.

18) Roth or Updike?
Stealing Emily’s answer for this one, though — “Men concerned with manly manly things.”

19) David Sedaris or Dave Eggers?
Sedaris.  I have very fond middle school memories of listening to NPR late at night in December, hidden with my radio cradled in my lap under my blankets, headphones covering my ears, trying so hard not to laugh out loud at SantaLand Diaries.

20) Shakespeare, Milton, or Chaucer?
Milton.

21) Austen or Eliot?
Like I said above, I actually dislike this era of literature.  I’m going to defect and say Mary Shelley is one of the only Romantic female novelists that I like.

22) What is the biggest or most embarrassing gap in your reading?
I’ve never read 1984 or Animal Farm.

23) What is your favorite novel?

I’m not sure that I have a singular answer.  I can answer in collectives: Harry Potter or “YA fiction.”  I can answer for this week: The Westing Game, which I reread on Tuesday on my commute and still love.  I can answer by pretension, which would make it Dharma Bums.  I could also spout off The Boyfriend List and LOVE & Other Four-Letter Words and All-American Girl and The Kid Who Ran for President.  I have no favorite novel.
24) Play?
Either Angels in America or The Skriker.
25) Poem?
“The Window” by Diane DiPrima.

26) Essay?
“The Roaming Beatniks” by Jack Kerouac

27) Short Story?
“The Diamond as Big as the Ritz,” F. Scott Fitzgerald
28) Work of nonfiction?
I’m With the Band: Confessions of a Groupie by Pamela Des Barres seeped through my bones, but Ryan White: My Own Story was the first written work to make me cry.29) Who is your favorite writer?
I can’t pick.  All those mentioned above thrill me.  Plus Jane & Michael Stern, for nonfiction, and I’m sure as soon as I post this I’ll remember about 20 others I should have listed.
30) Who is the most overrated writer alive today?
This survey seems to be set up to entrap me.  We won’t go there.
31) What is your desert island book?
The Beatles Anthology.  It is both lengthy and extremely interesting, and there are pictures, which, on a desert island, would probably be very welcome.  Otherwise I might start thinking I was a parrot eventually.
32) And… what are you reading right now?
I reread The Westing Game, Monsters and My One True Love, Fly on the Wall: How One Girl Saw EVERYTHING, and Princess In Love this week.  I plan to pick up a copy of The Astonishing Adventures of Fanboy and Goth Girl this weekend, hopefully.  I’m in the middle of The Encyclopedia of Pop Culture.  And I read a lot of sundry fanfiction for various sundry things.—————–

My favorite poem:

The Window
Diane DiPrima

you are my bread
and the hairline noise
of my bones
you are almost
the sea

you are not stone
or molten sound
I think
you have no hands

this kind of bird flies backwards
and this love
breaks on a windowpane
where no light talks

this is not the time
for crossing tongues
(the sand here
never shifts)

I think
tomorrow
turned you with his toe
and you will
shine
and shine
unspent and underground

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March 26, 2009

Jostling for Space

“You know, you’d be much less miserable if you stopped convincing yourself that you’re miserable.”

I told a coworker that this morning, pointing my finger into his chest, frustrated beyond coherence with his constant grumbling and whining of, “Hayleyyyy, please kill me now…”

His response was to whine and tell me that not everyone can keep smiling through scads of tourists who can’t speak English well enough to pay for their high-priced, high-maintenance espresso drinks or the dozens of burns and cuts that we all endure every day.  I am, in fact, currently typing this though two Band-Aids and three greasy patches of burn salve.  Said coworker went on to assert that he was unable to find any happiness in making methodical drinks or in the way that our fingertips are blackened from all of the sludge on hundreds of thousands of people’s dollars as we take them in exchanges so impersonal that it’s taken me months to learn the names of even the guests who come in daily.

But guess what?

Neither can I.

I smile through work because I live inside my head, allowing the tedium employing my hands to free my mind to interview and nitpick and love my characters, or — in the brief times that I can look up and into the sea of Manhattanites — create parallels and new characters out of the faces I see.

Until I was in third grade, I didn’t know that it would be possible for me to create characters.  Sure, I sometimes wrote stories with little names that I liked taking the place of my own for the protagonists, but I didn’t really consider them characters — just fake versions of myself.  I assumed that I had to write stories about the characters that greater minds had birthed — Gloria Gopher, Kirsten Larson, Karen Brewer, Jesse Bear — because the act of creating a whole new person (or anthropomorphic thing) seemed sacred and mystical.  I wrote hundreds of stories in preschool, kindergarten, early elementary school, all using the characters that other people created, just because I legitimately believed that I was not worthy of such a thing.  I was just a kid, I couldn’t make a person.

In third grade, my teacher finally told me that I couldn’t keep writing about other people’s characters because it was a breach of copywright.

I… was shocked.

Not only COULD I create characters… but I was SUPPOSED to invent these people for the stories in my mind?  I could put names to the faces that crowded mental corners and give them likes and dislikes and backgrounds and histories and parents and siblings and favorite foods and enemies and quirks like preferring to wear socks with pom-poms (which one of my first independent characters did)?

It was, perhaps, the most profound epiphany I had ever had.

It may still be.  It’s debatable.

I filled notebook after notebook (mostly with Lisa Frank covers) with… characters.  Writing stories became eclipsed by the compulsive need to create people, to know everything about them, down to the scent of their shampoo and the shape of their pinkie toenails.  I cut pictures out of magazines and catalogues to tape onto pages for visual reminders of “this hair color!” or “she likes this sweater!”

I still have every character I ever created.  Most of their stories never existed, and most of them probably never will.  But I see them, sometimes, still lurking around in my brain, looking at me plaintively and wondering if they’ll ever get to DO anything.

The main character of Green was one such lurker.  She’s a lucky one, though, she came with half a story already.  I just needed to nap in Liz’s bed to find the other half (and, very thankfully, I did).

So when I’m at work, and it looks like I’m smiling at the toothless woman with a tongue ring and pigtails who stole all of our caramel sauce last week (WHO DOES THAT?!) and is ordering her fourth coffee refill of the day… I’m probably smiling at a new moment in the backstory of Green’s werewolf love interest, or a new trait for one of its minor characters, or reworking a bit of dialogue I’d written the night before so that it better fits with the soul I see in my head.

Creating characters still seems mystical to me, because more than creating people, which, technically, any post-adolescent person can do, it’s forging a soul.  That’s amazing to me. I don’t think it will ever stop seeming magical and I doubt that I will ever quite feel worthy.

So why shouldn’t I smile?

——–

An early story starring “Alexandra” (probably me) and “Jenny” (probably my neighbor Meghan.)

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March 23, 2009

NYC Teen Author Festival 2009

Filed under: Biliophilia!, Creative Writing — Tags: , , , , — admin @ 8:03 pm

I’ve been trying to think of an appropriate way to christen my new blog as Hayley Anne Perkins, but my ideas always seem to fall short, at least in my own mind.  I’m very conscious of the implications of blogging to an audience that comprises more than just your best friends and your mom… I’m vaguely terrified of saying, or rather typing, just the wrong thing in just the wrong way and coming across as a terrible person.  Or at least as a person with an overinflated sense of self-importance, which is just as bad in a blogger.

So to break the ice: my ode to NYC Teen Author Festival 2009.

To preface this extremely bizarre gobbledygook — NYCTAF09 (I’m lazy and enjoy acronyms) was awesome.   I had an amazing time meeting all of the authors and several readers, and everyone was really nice and extraordinarily “chill” for it being an autograph signing… given my boy band expertise, I’m used to autograph signings involving at least three fainters and a tablejumper.  I was glad to see that everyone was patient and open to conversing with everyone else in line as they waited, and it was a treat to see the way that the writers complemented (and complimented!) each other.

While most people at the event today brought or bought stacks of books by their favorite writers, I brought the ultimate book: the Dictionary.

I asked every author to sign over their favorite word, and I promised to take the collection of Best Words and write a little mishmash of a piece.  Elise Broach said that I should try to get them all in order, and I seriously considered it until I started trying to decipher the autographs, and I realized that I was forgetting the order already.  Sigh.

The form was promised to Judy Blundell for her choice — “poem” — and the tone to Heather Duffy-Stone… “lusty”.  Unfortunately for all parties involved, poetry is the second-furthest thing from being my forte (with Math beating it easily).  Anyone I’ve ever dated can attest.  Therefore, given that this is not only a poem, but a poem using nonsense words, I hope no one takes it TOO seriously as a test of my writing ability!  Unless you love it, in which case, this is totally how I write…

You couldn’t see it, but my eyes got very shifty at that last sentence.

And I have to say, David Levithan saying that he was excited to read the finished endeavor pretty much killed me.  So here goes.

Ned Vizzini Stole My Pen
A Lusty Poem

Twin popes –
one pulchritudinous, the other feculant
in appearance –
both indefatigable in their vast perversity,
though incredulous of the idealism of the other:
one a bonvivant in deep meditation on generosity and grace,
the other in love with his epiphany on ecstasy,
sneaked into the basement of the church
ignoring the musical comedy rehearsal
upstairs.

One facetiously donned a crash
the other merely a lush apron
as they prepared to bake treats
for their family reunion
beneath the moon.

There could be no peace between these two brothers.
Discussion broke down in their unctuous disregard for each other
like a luffing sailboat’s disregard for the wind
when fighting its way through a sluice
(in simile, not metaphor);
Something was always wrong.

As delicious purple rhubarb dumplings
vied for space amongst the donuts
an ephemeral smoke began to rise:
almost magical in its majesty
And the brothers watched,
thunderstruck.

As they watched in wonder,
the metal of the pots against the stove –
fulminate metals –
began to coruscate,
shooting sparks into the air.

The pastries were ruined.
The brothers found between them a new sublimity:
they no longer had to bring dessert to the reunion
thanks to a force majeure.

LOVE – Nora Baskin
PURPLE - Jessica Blank
POEM - Judy Blundell
MEDITATION – Coe Booth
ECSTASY - Elise Broach
PEACE - Susane Colasanti
EPIPHANY (BUT NOT IN A RELIGIOUS SENSE)* – Sarah Darer-Littman
GRACE (NOT CHRISTIAN GRACE)* – Matt de la Pena
LUST – Heather Duffy-Stone
GENEROSITY – Gayle Forman
LUSH – Aimee Friedman
UNCTUOUS – Madeleine George
POPE – Maureen Johnson
TWIN – Kristen Kemp
PULCHRITUDINOUS – Justine Larbalestier
WONDER – David Levithan
DUMPLING – E. Lockhart
CORUSCATE – Barry Lyga
FAMILY – Carolyn Mackler
RHUBARB – Sarah MacLean
SUBLIME – Megan McCafferty
DELICIOUS - Lauren McLaughlin
LUSH - Neesha Meminger
SOMETHING (BECAUSE “SOMETHING IS GOOD”) – Billy Merrell
CRASH – Blake Nelson
BONVIVANT – Micol Ostow
INCREDULOUS - David Ozanich
EPHEMERAL (BUT ONLY FOR TODAY) – Matthue Roth
FORCE MAJEURE - Marie Rutkoski
SNEAK – Lisa Ann Sandell
FACETIOUS (BUT FOR REAL) – Courtney Sheinmel
DONUT (NOT DOUGHNUT) – Brian Sloan
IDEALISM - Jennifer Smith
PERVERSITY – Rachel Vail
INCREDULOUS – David Van Etten
LUFF – Ned Vizzini
SLUICE – Adrienne Maria Vrettos
INDEFATIGABLE - Cecily von Ziegesar
MOON - Melissa Walker
THUNDERSTRUCK - Lynn Weingarten
FECULANT - Scott Westerfeld
VAST - Suzanne Weyn
MUSICAL COMEDY - Maryrose Wood
METAPHOR – Lizabeth Zindel

FULMINATE” and “MAGICAL,” I am so sorry, but I can’t read your autographs or remember who wrote them… if it was you, please reclaim your Favorite Word in a comment!

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